I am researching on the integration of the three skills expected on today's operatic stage--the skills in vocal technique, acting, and kinesthetic movement on stage.
I hope to find out why there has not been many opera singers who could successfully communicate their music in three of these modes. On top of that, I would also like to know what the current music business and audience are expecting out of an extraordinary opera production?
My goal is to search for tools and methods that may help opera singers in refining their communication on stage in order to satisfy the ears and eyes of today's audience.
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